In addition, The studio is frequently utilized across the disciplines by students in Fine Arts, Theater (Sound Design), and Film Studies. We have ties to studios in England (Cambridge and City of London), France (Paris 8), Italy, and Sweden (Royal Music School). The studio also presents opportunities for study abroad for both graduate and advanced undergraduate students. This emphasis on music, rather than developing new technology, has been an integral part of the Composition Department's formula for success. What separates BEAMS from many other studios in the country is the emphasis on using the studio as a tool to create music. Preceding the studio at Brandeis, the first ever performance of Musique Concrete in the United States took place at the Brandeis Festival of the Arts in 1952, in which Merce Cunningham developed accompanying choreography. Since its inception the studio has been directed by Alvin Lucier, Harold Shapero, and, currently, Eric Chasalow. The first electronic music studio at Brandeis was established in 1961 by Gustav Ciamaga. Graduate Professional Studies (Online Programs) Rabb School: Graduate Professional Studies Heller School for Social Policy and Management Master of Arts or Master of Fine Arts in Composition and Theoryĭoctorate in Composition and Theory (PhD) In the city tour with music examples, art guides take you to special places in Düsseldorf that have a connection to the objects and artworks shown in the exhibition.Undergraduate Departmental Representatives This digital introduction is the perfect preparation or follow-up to an individual visit to the exhibition. Selected objects and artworks are presented with the help of illustrations. Please check our calendarfor registration and more information.Īrt guides introduce the most important topics of the exhibition live via video conference. These offers can also be booked as private group tours. As alternatives, we offer public tours online and our city tours "Art and Music". Guided tours with groups are therefore not possible in the exhibition. Numerous installations, music examples, films and videos invite individual listening and immersion. The exhibition offers a unique opportunity to explore different aspects of electronic music for yourself. For hygienic reasons, please bring your own wired headphones (3.5mm jacks) for this purpose. There are numerous listening stations in the exhibition. The Düsseldorf show was conceived in close cooperation with Ralf Hütter.Ĭurators of the show are Alain Bieber, Artistic Director of NRW-Forum, and Jean-Yves Leloup, Musée de la musique – Philharmonie de Paris.Įxhibition visit and accompanying program The musicians, designers and artists presented in the exhibition includeġ024 Architecture, Daft Punk, Agnes Dahan, Laurent Garnier, Andreas Gursky, Haqq, Jean-Michel Jarre, Jacob Khrist, Kraftwerk, Christian Marclay, Mouse on Mars, Tina Paul, Bruno Peinado, Marie Staggat, Karlheinz Stockhausen, Gisèle Vienne und Sasha Waltz.Īn exhibition conceived by Musée de la Musique – Philharmonie de Paris, produced and adapted in collaboration with Kunstpalast. From Kraftwerk to Techno" invites visitors to embark on a journey of discovery of the exciting and highly ramified history of electronic music. A particular highlight of the show is the spectacular staging of the oeuvre of the multimedia project Kraftwerk founded by Ralf Hütter and Florian Schneider in Düsseldorf in 1970. New musical genres emerging in the 1980s, such as Detroit techno, Chicago house and hip hop, as well as the rave culture of the 1990s will be presented both acoustically and visually through art photography. Its spectrum ranges from the first pioneering electronic musical instruments dating from the early 20th century to the use of artificial intelligence in contemporary electronic sound production. The exhibition encompasses musical instruments, self-made sound generators, photographs, audio clips, videos and graphic design. In over 500 exhibits, some of which interactive, the music genres subsumed as “electronic” music will be illuminated from a variety of perspectives.
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